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    Temperatures in NSW may not have been at their peak in 2022 as ongoing floods continued to dominate the news but one thing remained red hot: the regional property market. With prices continuing to increase month-on-month the demand for quality imagery and video continued. It has been refreshing to see so many agents commit to enhanced marketing for their property portfolios. Yes it's certainly good for photographers like myself who specialise in this area but it is also great for the Agency in terms of their branding and also the vendor who seeks to achieve the highest possible price for a well presented and publicised listing.

     

    With Australian interest rates continuing to increase in an attempt to curb inflation it will be interesting to see how the property market responds in 2023. One thing remains certain: there is no excuse for poor photography when selling a property.

     

     

     

     

    • Pierata x Loving Gaby filly 3 Sept 2021_SEGENHOE (38)
    • Pierata x Loving Gaby filly 3 Sept 2021_SEGENHOE (24)
    • Pierata x Loving Gaby filly 3 Sept 2021_SEGENHOE (31)
    • Pierata x Loving Gaby filly 3 Sept 2021_SEGENHOE (10)

     

    A filly foal bred in the purple; from the first crop of Gr 1 winner (of $5.8m in prizemoney) Pierata and the first foal of the Champion 3YO Filly of her generation - Gr 1 winner Loving Gaby. Born at Segenhoe Stud in Scone the bay filly was stunning from the moment she was born.  Come sale day some 18 months down the track at the 2023 Magic Millions Yearling Sale she lived up to all expectation securing a final bid of $800,000 to Ciaron Maher Bloodstock/Kevin Kelly, VIC.

     

     

    • LOT 153 I Am Invincible x Mossfun colt (2)
    • LOT 449 Extreme Choice x Sweet Bouquet col (4)
    • LOT 417 I Am Invincible x Spright colt (2)
    • LOT 504 I Am Invincible x Tumooh colt (2)
    • LOT 219 Written Tycoon x Paris Match filly (4)
    • LOT 449 Extreme Choice x Sweet Bouquet col (2)

    I photographed the Magic Millions Sale Drafts for 7 of my clients back in December: Cressfield, Emirates Park, Kingstar, Strawberry Hill, Edinglassie, Ridgmont and Middlebrook Valley Lodge.

     

    The 7-day sale at the Gold Coast netted record returns to many vendors with the sale gross soaring to a new Southern Hemisphere yearling sale record of over $243 million. 

     

    3 of my clients recorded million dollar Lots (Emirates Park achieving 2). Top Lots for each client are as follows:

     

    LOT 153 I Am Invincible x Mossfun colt [consigned by Emirates Park] sold to Hawkes Racing for $1.65 million

     

    LOT 417 I Am Invincible x Spright colt [consigned by Cressfield Stud] sold to Tom Magnier for $1.6 million

     

    LOT 504 I Am Invincible x Tumooh colt [consigned by Emirates Park] sold to James Harron Bloodstock Colt Partnership for $1.6 million

     

    LOT 449 Extreme Choice x Sweet Bouquet colt [consigned by Kingstar] sold to Aramco Racing/Mick Price Racing & Breeding/Rick Connolly Bloodstock for $1 million 

     

    LOT 61 Lonhro x Light Up The Room colt [consigned by Ridgmont] sold to Annabel Neasham Racing for $450,000

     

    LOT 219 Written Tycoon x Paris Match filly [consigned by Strawberry Hill] sold to Gai Waterhouse/Adrian Bott/Kestrel Thoroughbreds for $340,000

     

    LOT 119 Zousain x Miss Amelia filly [consigned by Edinglassie] sold to Magic Bloodstock/Noel & Maria Greenhalgh/Julia Ritchie/Neil Werrett for $280,000

     

    LOT 820 Writen By x Elliptical Orbit filly [consigned by Middlebrook Valley Lodge] sold to Matthew Dunn/Neil Jenkinson Pty Ltd (FBAA) for $140,000

     

    Congratulations to the Stud Staff who prepared the horses for sale and congratulations to all vendors on some outstanding results to kick off the new year :-)

     

  • Great to see this article go to print this week; I travelled as far North as Qld and South to Queanbeyan (and a multitude of places in between) to meet the dogs and the owners who were to feature in the article. MMGC Magazine; approx 200pp, large format coffee...

  • RSPCA Charity Shoot 2022

    08/12/2022 12:37:00 am

    I was invited to photograph the 2022 Santa Paws Charity Shoot for the RSPCA at Tuggerah last weekend; 2 days of all number of furry friends and no shortage of their human counterparts either :-) All up I photographed over 130 animals (including dogs, cats,...

  • Great to see this article go to print this week. MMGC Magazine; approx 200pp, large format coffee table style, around 3,500 copies printed and 2,500 posted to clients and Bluebloods clients nationally and internationally with the remainder distributed across...

  • Millie and Gracie 20 June 2020

    There's a reason the saying "don't work with animals and children" came into being :-)Whilst Millie was beside herself that I had suggested her shirt be changed for the photos (hence the meltdown lol), her darling shetland mare Gracie stood by stoically despite...

  • Something light for Friday

    19/06/2020 7:21:52 am

  • christmas-982122-2

    The Silver Stallion

    18/06/2020 11:52:00 am

    I had to photograph one of his yearlings yesterday (she was the absolute mirror of her sire; uncanny) and it brought back fond memories of the 'Silver Stallion' #Frosted who stands at Darley in Victoria during the Southern Cross breeding season.

     

    His oldest Australian progeny are rising 2YO's.

     

    It has to be said - there is something about a grey stallion.

  • Races and working with covid copy

    Life after Covid

    18/06/2020 12:25:00 am

    I started at 7 this morning; am now well past the mark of figuring out how many hours I have been working given it’s now 8 minutes past midnight. The odd thing is that if it’s your own and if you you love it then the hours fade. Today has seen 3 photo shoots, high pressure interim turnaround editing for a client that needed video footage for a sale that is going live tonight, enormous frustration with a new camera that is proving extremely difficult to work with; news that my latest and greatest beast from Nikon (the D6) is on its way, and I also needed to submit a proposal for a major commercial project. That ended up consuming 5 hours in addition to the 2.5hr meeting yesterday; no doubt another client tomorrow will be chasing me for the photos I failed to send through from today :-) 

     

    It’s gratifying and also strange to watch the whole Covid measures slide (even if uneasily by some) into past tense. For months I have been confined to the house, work has been scarce and bank accounts hovering near empty as the business line of credit got leaned on to such an extent that the residual debt will keep me well focussed for quite some time. I elected not to pursue the government’s Job Keeper handout; rather chose to pack shelves at Woolworths at night. During this journey I met many people in the same situation as I, the work was certainly handy in terms of finessing attention to detail whilst being on the clock but it got me out of the house (as well as kept all those toilet paper hoarders under control as the shelves were kept as full as we had stock). It was also good for me as a couple of times over the past few years I have - I must be honest - started hating what I do every day and considered giving it away. It’s not easy making a living as a full time professional photographer. The investment in equipment and technology is increasing (whilst clients are paying less), loyalty with some clients has the longevity of this week’s news (hence why I am so immensely grateful to the large number of my clients who do continue to support me), and more and more clients are ‘doing it themselves’ (and why not - the new iPhone 11 Pro Max gives quite a few of my pro bodies a run for its money). 

     

    Covid changed things though. I spent (literally) a hundred (plus) hours gardening, another hundred hours building a new website, a further hundred hours sprawled on the lounge binge watching Netflix and however many hundred hours stacking groceries on shelves. I had the time to think, step back, reassess and then move forward. Ironically it could not have come at a better time. I found a whole new series of creative projects to fire my love of photography … and it’s safe to say I have produced some of my best work since the Covid restrictions have ended.

     

    Perhaps it was the pandemic I was meant to have (with no disrespect to those who actually had a hell of a time with it; we got off so lightly in Australia).